Showing items 1101 - 1120 of 1137

Your selections:

Wimbe ngoma wulisalise ye-ye

- Mandona, Group of Luvale men and women, Hugh Tracey

Wo ye ye Ndaluwuluke (Woye - I am going forever)

- Jimu Machinje and wife (Ngonya), Hugh Tracey

Woho naizhi

- Group of old Hlubi men, Hugh Tracey

Woho naizhi

- Group of old Hlubi men, Hugh Tracey

  • Authors: Group of old Hlubi men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139678 , vital:37767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-04
  • Description: Some very spirited solo performances were put up by individuals who dashed out of a line to take up a new song, each replacing the last man. The first song indicated that the hero of the song had a case to bring. The second, that he should be caught. The third one that he should be held, and so on. Each of the many singers and dancers liked to come out into the ring, shout his individual cries and introduce his own song. The occassional interpolation of a horn was made by blowing through an pld rubber bulb type motor-cycle horn. Mgibo pre-initiation dance with sticks.
  • Full Text: false

Wolala (Wolala, why! Wolala, I am leaving)

- Young Xhosa men and women, Hugh Tracey

  • Authors: Young Xhosa men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150770 , vital:39004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-04
  • Description: Wolala is a man's name. There are few if any words in the lyric. This was sung by a group of young people, the girls and boys rather younger than the first group and not so gaily dressed. The girls clap their hands and stamp one foot alternately swinging rhythmically forward and backward. Mtshotsho dance for young men and women with clapping.
  • Full Text: false

Xaxae ndi zwanya ludavhalisa

- Janeth Bologo, performer not specified, composer not specified, Tracey, Hugh

Xylophone Orchestral Dance movement

- Chopi performers, Performer not specified, Composer not specified, Tracey, Hugh

Ya ya woye

- Large group of Lunda women and Kalemba, Hugh Tracey

  • Authors: Large group of Lunda women and Kalemba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
  • Language: Lunda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139495 , vital:37744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-10
  • Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
  • Full Text: false

Yachipondeka 'owe owe'

- Masaria and other Tonga women, Hugh Tracey

  • Authors: Masaria and other Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138126 , vital:37596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-01
  • Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
  • Full Text: false

Yakhal' ingane encanane

- Group of Baca Men (Performers), Composer not specified, Hugh Tracey

Yakonyomba

- Timoti Sadimbi, Hugh Tracey

  • Authors: Timoti Sadimbi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138956 , vital:37689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-02
  • Description: Played with 3 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
  • Full Text: false

Yaku Kasama munenu wamukake Nshimbi (At Kasama they put the handcuffs on me)

- Stephen Tsotsi Kasumali and 3 friends, Hugh Tracey

  • Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
  • Language: Ruund
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139945 , vital:37816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
  • Description: "I was handcuffed at Kasama by the police, sat down and was taken to the Boma, saying; "I did nothing wrong." But it appears that when he was charged, he said he was guilty and blamed his uncle's wife. She came to give evidence on his behalf but she did not get him off. So he said: "You are the one who must get me off." Bust she did not do so." "You are my relative, you must send me home." In this outburst one can see the childlike faith in the blood relationships eben to the point of working miracles.
  • Full Text: false

Yalila ngololo kutwaga belega (You were praised by the man you worked for)

- Group of Tonga men and women led by Joseph Munyeme, Hugh Tracey

Yarira ngosa (Ngosa declares Adolescent verses)

- B. Makariki and 3 boys, Hugh Tracey

  • Authors: B. Makariki and 3 boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Kaonde (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Kasempa f-za
  • Language: Kaonde
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139292 , vital:37723 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-07
  • Description: Ngosa declares that he has just come from Ndola where he has seen a fine caterpillar tractor. Ngosa tells his friend about this tractor and goes back himself to Ndola. "On your way back, replies his friend, convey our greetings to Teresa who lives in the Lamba country." The pre occupation of small boys with the shape of new motoe cars and other pieces of machinery such as tractors, appears to be shared by African boys as well. Adolescent verses.
  • Full Text: false

Yave- yave (Kafoya greetings)

- Group of 9 Lunda men, Hugh Tracey

Yavela i motokari (Here comes the motor car)

- Group of Xhosa women and Notembile and Nopenrose, Hugh Tracey

Yawiyanga, ya kulumbata nyama

- Three Chokwe men, Hugh Tracey

Yawiyanga, ya Kulumbata nyama

- Three Chokwe men, Perfomer not specified, Composer not specified, Tracey, Hugh

Yazula inkabi endxla

- Group of 7 young men (Performers), Composer not specified, Hugh Tracey

Yazula inkabi endxla

- Young Xhosa men, performer not specified, Composer not specified, Tracey, Hugh

  • Disclaimer
  • Privacy
  • Copyright
  • Contact