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Fasonti (Name of a man)

Fhano ho ḓa nnyi vho

Fulai sinali meya (An aeroplane flies very fast)

Funda infwala aponya mwana nawona umwiko

Funguvhu ṱanzwa mulomo

Funguvhu ṱanzwa mulomo

Funguvhu ṱanzwa mulomo and kuḽa kwe' ndi vho nnyi vhala

Funguvhu ṱanzwa mulomo and kuḽa kwe' ndi vho nnyi vhala

Fwanda-fwanda dance rhythm

  • Authors: Lyson Chibuye , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Drum , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134734 , vital:37195 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-10
  • Description: For this recording, the drums performed alone without the singing, but on occasion with the whistles in the background provided by the dancers. Each of the 3 drums can be heard separately with its distinctive tune, the Akanono, the Cimbulunge, and the Fwanda-fwanda, each of which has a fairly complex rhythm and tone pattern to add to the whole resultant. It would appear that the Lala style of drumming are among the most evolved in N. Rhodesia. The stick, as in common in this region adds a percussive rhythm of its own and is beaten on to the body of one of the drums adding to the general welter of sound. The rattle was an improvisation, being a small rectangular tin containing pieces of metal and not a specially constructed article. Drum rhythm with 3 conical drums and 1 stick, whistles and rattle
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Fyalila banuta Kapyanga (How Kapyanga's wife wept)

  • Authors: James Mtemberwa , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Topical songs , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134761 , vital:37201 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-13
  • Description: Kapyanga's wife went to the mine shaft head and there she saw am ambulance. She wept, thinking that it may be her husband who had been injured underground, but it was not so." Topical song with Kankowele mbira, fan-shaped mbira, with external resonator
  • Full Text: false

Gomusanza warira pongo

  • Authors: Timoti Sadimbi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138961 , vital:37690 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-03
  • Description: Played with 4 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
  • Full Text: false

Gumbu ḽanga

Gumina (Counting jingle-one to ten)

  • Authors: Tonga woman , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137981 , vital:37580 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-01
  • Description: The extended fingers of each hand are marked off to accompany the words by closing each in turn, starting with the little finger of the left hand, then the same of the right, ending by clapping the closed hands together. There are several counting songs which are variations of this. It is not at all well-known in Gwembe and Sinazongwe, however. Whilst this was being recorded, a group of small girls discovered they could use the hub caps and bumber of the car as a mirror and after admiring themselves began to dance to their reflections.
  • Full Text: false

Gwerure

  • Authors: Josiah Muyambo , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Ndau , Ndau (African people) , Africa Mozambique Sipungabera f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151975 , vital:39199 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-01
  • Description: This is said to be in part, an old traditional song of the women of his home district. "My wife is called Muchumwase and when people are angry with me I say nothing. Out of the many children in my family, there are only one or two who are of any value. My father's heart has wings, because he only cares for his own favourite among the children." Gwerure appears to be the title of a traditional tune which is well-known in the district and cannot be translated. There are many such names for old tunes, most of which have new recitative words set to their accompaniment with each generation of performers on the mbira. Topical song with mbira dza waNdau with bell, external resonator and 2 manuals.
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Ha Lumonde

Ha setimela se tsamaea (While the train goes)

  • Authors: Lesholu Molai , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
  • Language: Southern Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151601 , vital:39146 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-15
  • Description: The player said he had made his Sitolotolo only that day, so it had not had time to dry out and resonate the sound properly. Consequently the overtones resonated in the month were relatively weak. Self-delectative song with Sitolotolo mouth bow. (Tube with 2 end sections of bow-braced).
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Hamanzi kweni (Early in the morning)

  • Authors: Saisi Shishonke , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Mabote f-mz
  • Language: Tswa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136206 , vital:37349 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-03
  • Description: The player stopped the lower segment of the string with the backs of both his first and 2nd fingers. Self-delectative song with CHITENDE musical bow, braced and resonated.
  • Full Text: false

Hambukane kota mova (Clear the road, a car is coming)

  • Authors: Penisera Matabeya and Majuta Sitole , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Espungabera f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136270 , vital:37356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-10
  • Description: The flute blower kept his right ear covered with his hand whilst he played. He also sang voiced notes while he blew the flute and also interpolated them between flute notes. He held the flute in his left hand only. His friend sang the refrain. Self-delectative song with Mulanji transverse flute, closed at both ends, with 2 holes at far end of mouth hole.
  • Full Text: false

Handina mwana

Haopala pitsi

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