Showing items 301 - 320 of 1192

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Iuwale-o-iuwale

- Mbasela Kunda, William Munyanda, Composer not specified, Tracey, Hugh

Iwe nkuku wee

- Pfariseni Siadi, Tshianeo Ratshitimha and Pfariseni Matshidza, composer not specified, Tracey, Hugh

Iya weni pambalama (Who is that across the river coughing?)

- Group of young Bemba girls, Hugh Tracey

Izibongo dalindyebo (Izibongo for Chief Dalindyebo)

- Three Mpondo Children, Hugh Tracey

Izibongo dalindyebo (Izibongo for Chief Dalindyebo)

- Three Mpondo Children, Hugh Tracey

Izibongo zika Botha Sigcau (Praises of the Paramount Chief of the Mpondo)

- Usukude Uqnasa Imbongi, Hugh Tracey

  • Authors: Usukude Uqnasa Imbongi , Hugh Tracey
  • Date: 1957
  • Subjects: Praise , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136425 , vital:37375 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-02
  • Description: The cries at the end are equivalent to the Zulu "Bayete." "Hail." Praises with laudatory cries.
  • Full Text: false
  • Date Issued: 1957

Izobongo zika ndlinkulu (Praises of the Chief's wife)

- Group of elderly Mpondo women, Hugh Tracey

  • Authors: Group of elderly Mpondo women , Hugh Tracey
  • Date: 1957
  • Subjects: Praise , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136434 , vital:37376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-03
  • Description: The leader of this group was praising the Chief's wife. She also paraded up and down in front of the singers mimicking the actions of milking a cow. It was explained that this meant she had been given a cow.- and every now and then she looked round and waved her arm as if to frighten off a thief. Praise song and chant with clapping.
  • Full Text: false
  • Date Issued: 1957

Jabeni

- Group of Tonga men and women, Hugh Tracey

Jamani (Go to Germany)

- Group of young Mpondo boys, Hugh Tracey

  • Authors: Group of young Mpondo boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136551 , vital:37390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-03
  • Description: The group of young men performing this song, sang each into his capped hand, vibrating it slightly as he did so. They danced in a very closely packed circle. 3 Gubura dances for young men.
  • Full Text: false
  • Date Issued: 1957

Jirigaya dya kabongo (This is my home)

- Group of Lulua men and women, Hugh Tracey

Jive- July Handicap

- Performer not specified, Composer not specified, Tracey, Hugh

Jomjom (A pot full of beer)

- Group of Xhosa women, Hugh Tracey

  • Authors: Group of Xhosa women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136160 , vital:37344 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-12
  • Description: The singers also said:- "Gallop away quickly, horse of Sochongane." Whether from or to the party where the pot was full of beer, was not clear.- Sochongane was one of the men living nearby.- JOMJOM also means, they explained, the galloping of a horse. Drinking song with clapping.
  • Full Text: false
  • Date Issued: 1957

Jomjom ndaliwa yindoda ngenxa yako (Jomjom, I have been divorced by my husband on your account)

- Nozikencele and Gcaleka girls, Hugh Tracey

  • Authors: Nozikencele and Gcaleka girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150960 , vital:39022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-05
  • Description: Jomjom is a familiar name for the local drink, millet beer. It is on account of her love of beer that she lost her husband, so the song goes, in time honoured fashion the world over. The song is an excellent round with each girl singing her own variations. Drinking song with Ikinki mouth resonated musical bow.
  • Full Text: false
  • Date Issued: 1957

Joni mwana Seke (Joni, the child of Seke)

- Group of 5 Aushi boys, Hugh Tracey

  • Authors: Group of 5 Aushi boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Topical songs , Africa Zambia Fort Roseberry f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134413 , vital:37146 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-15
  • Description: The singers say they went to compete with others and acquitted themselves very well. Unfortunately their best singer Joni, was not there. Topical song.
  • Full Text: false
  • Date Issued: 1957

Ka dadamala dadamala

- Vho Musandiwa, Performer not specified, composer not specified, Tracey, Hugh

Kabinda

- Kasadi Celestin (Performer), Composer not specified, Hugh Tracey

Kabula nina kamushalila (I have no mother)

- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey

  • Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
  • Language: Aushi , Lamba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/140076 , vital:37830 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-05
  • Description: 'I have no mother. No matter what I do, whether I pray or whatever I do, I am alone." The singer is a wandering performer who earns his living by singing popular songs of his own composition which give him plenty of scope to introduce local gossip between verses. He is assisted by 2 or 3 friends who share his bohemian life wandering from compound to compound along the Copperbelt. His songs, though often rhythmic, are frequently based upon the slightest of melodies as in this case. This song is sung partly in the local Lamba language - Although Tsotsi Kasumali himself is an Aushi. Lament with guitar and bottle.
  • Full Text: false
  • Date Issued: 1957

Kachancha

- Group of 5 Kete men, Hugh Tracey

  • Authors: Group of 5 Kete men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-cg
  • Language: Lunda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139416 , vital:37736 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-04
  • Description: The slit drum is called mutumba (the canoe) and the cylindrical drum is Nguma. This group is situated between the Lunda and the Luba. A notably fierce and savage people. They come from the extreme south of the Kasai-near the Angola border. This dance was (in the old days) danced with a slave in the midst. At the final "Ho" (characteristic of the dance) the slave's head was severed at a single blow. The 3 xylophones were propped up at sn angle of about 45 degrees by small forked sticks. The resonators were either gourds or lengths of bamboo with open mirliton. The bamboo resonators were palstered with mud, presumably to stop their cracking. Each note was attached to the frame with a simple cord, but prevented from slipping by a second string attached near the node and made fast onto the frame. The insulating material on the frame was a bundle of long grass in each case. The three xylophones were called:- Dujimba devase. " dwapakadie. " dwa mukuma. Maza dance for men and women with 1 slit drum (canoe), 1 weighted cylindrical drum (Nguma), open hand beaten and 3 xylophones.
  • Full Text: false
  • Date Issued: 1957

Kahuru ngoma ayo mapmanda (Rabbit plays the drum)

- B. Makariki and 3 boys, Hugh Tracey

Kakashimbi nkumuye mu s/c 5 ulucelo (The girl I met in section 5 this morning)

- C. Filimba and P. Kosimasi, Hugh Tracey

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