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Bantamba fituka (The magician)

  • Authors: Adamsoni Kabamba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134666 , vital:37188 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-05
  • Description: A certain wizard, so the story goes, once caught a secretary bird and brought it into his house alive in order to use it for magical purposes and for killing other people. Now, this man soon died and left this secretary birf behind. So he sings this song to mock who use magic because they will surely die, just the same. :There are foolish men who leave their families unprovided for while they go off with prostitutes." "There is sadness which envelopes a child when its parents die, and a sadness also which envelopes a parent when its child dies." Self-delectative song with Kankowele fan-shaped mbira, mbira with external resonator.
  • Full Text: false

Bata wasunga mulundu

Bata wasunga mulundu

Bathi abafana ndisandindazana ((Young men call me a beauty)

Bawo nilele na? (Fathers, are you sleeping)

Bayathetha abantwana ndinendaba (Children are speaking because I have news)

  • Authors: Gcaleka boys and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151224 , vital:39041 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-10
  • Description: The girl playing this mouth bow whistles out of the side of her mouth as well as resonating the notes in the usual manner. She used the open string and a stopped note, stopping it with her thumbnail and first finger. The use of this indigenious instrument and its style of music explains the ease with which Gcaleka people take to the small concertina. The harmonies produced in the mouth being on the true harmonic series makes the transition to the concertina a simple matter for simple tunes. Notes of the bow, 292 and 260. Mtshotsho dance for boys and girls with Ikinki mouth resonated musical bow.
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Bayeza kusasa (They are coming tomorrow)

  • Authors: Group of Xhosa women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136122 , vital:37340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-08
  • Description: Thsi was sung by a group of about 50 Gcaleka women all dressed in their traditional costumes with shawls and skirts made of "Kaffir sheeting" coloured with yellow or russet red ochre. Divination song with clapping,
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Bayeza kusasa (They are coming tomorrow)

Bayile

Bele pele, bele panani

Bemu tuvoni memba

Bena Kazembe balitumpa

Benoni

  • Authors: Olive Alexander , Russel Planga , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135992 , vital:37324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-11
  • Description: The soloist was Olive Alexander, the girl says:- "My mother doesn't like me, my father only cares for the cattle he will get for my lobola, my brother never brings me any clothes. So I will go to Benoni and stay with the Sotho and Zulu, I'll make friends there and life will be much gayer." Topical song with dance band.
  • Full Text: false

Benoni

Benoni

Bino Siabungu balu oba mboma, wewe (We 'honour' those who killed the mother of Siabungu)

  • Authors: Group of Tonga men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138035 , vital:37586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-07
  • Description: The sound of the women's feet can be heard on the hard dusty ground. "Honour" is used in the opposite sense, really meaning "hate." In this song the usual African belief that death is caused by ill-wishing or magic, is implied. Funeral dance song with ensemble of Nyele end-blown antelope horns and Ngoma drums.
  • Full Text: false

Biyoko

Biyoko

Bome a ni lukela ky ntanda

Bondo

  • Authors: Mamba Desire , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
  • Language: Luba/Lulua
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136966 , vital:37473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-06
  • Description: The song is sung on the occassion of the visit of an important man. "In other places they have greeted me with songs and rejoicing, here you must do the same or even better." The scale of the instrument as follows:- 472, 448, 356. 320, 264, 236, 224, 178, 160, 132. Greeting song for a Chief or notable, with 2 box chisanzhi, 1 chisanzhi-chinene, and 1 basket rattle.
  • Full Text: false
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