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Msumeto. 9th Movement

- Ngodo of Cabo Mahamba, Chiponi Kwapeni (Leader), Tracey, Hugh

Msumeto. 9th Movement

- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Matauli Chitombe, Tracey, Hugh

  • Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/191423 , vital:45096 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-04
  • Description: A line of young girls including those who had danced their "Chingomani" dance during the morning moved up to the orchestra behind the line of men when they moved forward. This very short Msumetso was by way of being a skit on the impression left upon them by Portuguese music and military words of command, the dancers performing various typical actions of soilders being drilled with Kutokozela cries. The retreat, with preliminary cries. Orchestral dance with 16 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double Bass) and 4 Njele rattles.
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Mungeniso. 5th Movement

- Ngodo of Cabo Mahamba, Chiponi Kwapeni (Leader), Tracey, Hugh

Mwamwangu wotala achikene

- Elena Josio, Chopi women, Tracey, Hugh

  • Authors: Elena Josio , Chopi women , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/193198 , vital:45308 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-05
  • Description: "No one cares for me and they give me leaves to wear instead of cotton clothes." This is the complaint of a rejected wife whose husband is away working, or of a widow who has been thrown back on her own meagre resources. The leader, Elena Josio, calls out her own name at the end of the song. Another explanation was that the dead person had not been properly clothed in a shroud for burial. Funeral song with clapping.
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Mwemiso. 5th Movement

- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh

Mzeno

- Ngodo of Regulo Canda, Hamela wa Ditsukale, Tracey, Hugh

  • Authors: Ngodo of Regulo Canda , Hamela wa Ditsukale , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/192745 , vital:45259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-11
  • Description: The fine Mzeno (inserted here for comparison) was recorded in the same village just 14 years earlier, and is a useful guide to any change of style during that period. For purposes of this recording, the verses were not repeated as is usual with Mzeno. This Mzeno of Chief Mahikete (Canda) is about the payment of poll tax and the wish of the people to escape payment by running along to Mnyokowela in the Panda district, as they did in the old days when fighting against Shangaans. But, alas today the white men are at Panda also, so it would be no good. Orchestral dance with Timbila xylophones orchestra
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Mzeno

- Ngodo of Regulo Kenge, Venacio Mbande (Leader), Tracey, Hugh

Mzeno (of Quengue)

- Ngodo of Regulo Kenge, Venacio Mbande (Leader), Tracey, Hugh

Mzeno of Cabo Mtoti

- Mzeno of Cabo Mtoti, Lambo Diki Muchinga (Leader), Tracey, Hugh

Mzeno of Komukomu

- Komukomu, 5 Chopi men; Katini, Sekelani, Madoshimani, Bokisi and Dajanyana, Tracey, Hugh

Mzeno wa Katini

- Migodo of Zavala and Nyakutowo, Katini Zavala, Tracey, Hugh

  • Authors: Migodo of Zavala and Nyakutowo , Katini Zavala , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/190201 , vital:44973 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-06
  • Description: Composed in 1943, 20 years before, this Mxeno is still played and loved all over Chopiland. It was recorded on this occasion under almost impossible conditions with a high wind and driving showers of rain. It was intended to demonstrate the singing rather than the Timbila playing which in fact was not very good. The words of this Mzeno, almost unaltered since it was first composed by Katini, appear in my book "Chopi Muscians" P24 and 25. It will be noticed that the present players and singers end the Mxeno on the last verse of the lyric without repaeating the first stanza as a coda, which Katini himself used to do. Each verse, by tradition, is repeated. The Timbila of the leader was not well strapped up, hence the rattle of the slats against the beaerers. Orchestral dance, with 15 Timbila xylophones and 4 Njele rattles.
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Mzeno wa Nyakutowo

- Players and dancers of the Migodo of Zavala and Nyakutowo, Boti Mwene, Tracey, Hugh

  • Authors: Players and dancers of the Migodo of Zavala and Nyakutowo , Boti Mwene , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/190192 , vital:44972 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-05
  • Description: It is interesting to note that the tuning of this Timbila orchestra has remained virtually unchanged for the past 23 years since I first measured it. In 1940 the tonic was 4 vs. higher and except for the fourth note of the present scale which is 8 vs, sharp the pitch of the rest of the scale is almost identical with that of Katini, the famous musician and leader of Zavala's Timbila Ngodo between 1930-1950 (see "Chopi musicians" by Hugh Tracey. Oxford University Press) In this movement of the Ngodo, Mzeno, the dancers come nearer the orchestra of Timbila and sing the 'great song' repeating each verse twice. At 3m. 45s., the dance leader whistles for the last verse, which starts at 3,. 55s. The tuning 496, 448, 408, 372, 328, 304, 276, 248 vs. Dance with orchestra of 15 Timbila and 4 Njele rattles.
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Mzeno was Zavala

- Players and dancers of the Migodo of Zavala and Nyakutowo, Joao Fulao Mazhuzhe (Learder), Tracey, Hugh

  • Authors: Players and dancers of the Migodo of Zavala and Nyakutowo , Joao Fulao Mazhuzhe (Learder) , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/190183 , vital:44971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-04
  • Description: 24 dancers took part and 18 players with 4 rattle players. One girl came to add the ululations. Unfortunately recording conditions were not good. High winds and rains threatening, in fact it was only possible to record at all by protecting the microphone and from the fact that the trees kept some of the wind and rain off the instruments when it came in strong gusts. The sound of the leader dropping his beaters onto his instrument immediately after the last note has been struck can be heard at the end of the item. The tuning 496, 448, 408, 372, 328, 304, 276, 248 vs. Dance with orchestra of 15 Timbila and 4 Njele rattles.
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Mzeno. 10th Movement

- Ngodo of Regulo Banguza, Mbuziana Tomo Buke (Leader), Morisu Ndalela, Tracey, Hugh

Mzeno. 7th Movement

- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh

  • Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/193099 , vital:45298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-07
  • Description: A group of about 40 young women and girls joined the Ngodo for this movement, standing behind the dancers in order to take part in the singing. They knew all the words of the lyric by heart even the smallest of them and sang lustily with harsh voices. This development (if it is such) was never seen by me in any Mzeno in the 1940's. The result is no improvement upon the men's voices alone as a song, but was enjoyed by the whole village. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
  • Full Text: false

Mzeno. 7th Movement

- Ngodo of Cabo Mahamba, Chiponi Kwapeni (Leader), Tracey, Hugh

Mzeno. 8th Movement

- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Matauli Chitombe, Tracey, Hugh

Ndano. 6th Movement

- Ngodo of Mavila, Shambini, Tracey, Hugh

  • Authors: Ngodo of Mavila , Shambini , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/190501 , vital:45000 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR198-07
  • Description: In this case, the Ndano movement comes before Ngeniso which appears to be unusual. There were 16 dancers and they took their 'call' while away to one side. The order and style of movements is decided by the leader of the orchestra and the leader of the dancers between them and varies from village to village. The words of the verses which underkie this movement are not heard in this recording but only the Tokozela exclamations and cries. Orchestral dance with 6 Timbila, 4 Sanzhe, 1 Debiinda, 1 Gulu and 1 rattle.
  • Full Text: false

Ndazwa ngengoma kurira

- Tabarirevu Muyambo, Tracey, Hugh

Ngaka

- Seven Pedi women and 1 old man with 2 drums and a rattle, Four Pedi women, Tracey, Hugh

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