Ndiyahamba mna
- Preformer not specified, Composer not specified, Dargie, Dave
- Authors: Preformer not specified , Composer not specified , Dargie, Dave
- Date: 2005
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Alice sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/350978 , vital:63936 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC356b-03
- Description: Ngqoko Group participants at the University of Fort Hare
- Full Text: false
- Authors: Preformer not specified , Composer not specified , Dargie, Dave
- Date: 2005
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Alice sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/350978 , vital:63936 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC356b-03
- Description: Ngqoko Group participants at the University of Fort Hare
- Full Text: false
Morena, amogela dimpho tsa rona
- Church Music Workshop Participants, Composer Not Specified, Dargie, Dave
- Authors: Church Music Workshop Participants , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Mahalapye f-bs
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/312737 , vital:59411 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD129-07
- Description: Practise and performance of church hymn, accompanied by the Marimba.
- Full Text: false
- Authors: Church Music Workshop Participants , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Mahalapye f-bs
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/312737 , vital:59411 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD129-07
- Description: Practise and performance of church hymn, accompanied by the Marimba.
- Full Text: false
Title not specified
- Zingisa Seminary Congregation, St Bede's workshop participants, Dargie, Dave
- Authors: Zingisa Seminary Congregation , St Bede's workshop participants , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Umtata sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/416121 , vital:71319 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC146a-22
- Description: Catholic mass response, accompanied by clapping.
- Full Text: false
- Authors: Zingisa Seminary Congregation , St Bede's workshop participants , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Umtata sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/416121 , vital:71319 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC146a-22
- Description: Catholic mass response, accompanied by clapping.
- Full Text: false
Title not specified
- Zingisa Seminary Congregation, St Bede's workshop participants, Dargie, Dave
- Authors: Zingisa Seminary Congregation , St Bede's workshop participants , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Umtata sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/416112 , vital:71318 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC146a-22
- Description: Catholic mass response, accompanied by clapping.
- Full Text: false
- Authors: Zingisa Seminary Congregation , St Bede's workshop participants , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Umtata sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/416112 , vital:71318 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC146a-22
- Description: Catholic mass response, accompanied by clapping.
- Full Text: false
Title Not Specified
- Group of Sikhwankqeni locals, Composer Not Specified, Dargie, Dave
- Authors: Group of Sikhwankqeni locals , Composer Not Specified , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Sikhwankqeni sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/319302 , vital:60166 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD147-24
- Description: Traditional song with clapping accompaniment.
- Full Text: false
- Authors: Group of Sikhwankqeni locals , Composer Not Specified , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Sikhwankqeni sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/319302 , vital:60166 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD147-24
- Description: Traditional song with clapping accompaniment.
- Full Text: false
Title not specified
- Paul Gawiseb and Katerina Aises Katjiteo at Catholic church Gobabis No. II music workshop, Gawiseb, Paul, Dargie, Dave
- Authors: Paul Gawiseb and Katerina Aises Katjiteo at Catholic church Gobabis No. II music workshop , Gawiseb, Paul , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis sx
- Language: Khoekhoe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/351878 , vital:64049 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC301b-09
- Description: Traditional Damara song with gorito bow accompaniment
- Full Text: false
- Authors: Paul Gawiseb and Katerina Aises Katjiteo at Catholic church Gobabis No. II music workshop , Gawiseb, Paul , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis sx
- Language: Khoekhoe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/351878 , vital:64049 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC301b-09
- Description: Traditional Damara song with gorito bow accompaniment
- Full Text: false
Umhala
- Dyiwili, Nofinishi, Nqoko Ladies, Composer Not Specified, Dargie, Dave
- Authors: Dyiwili, Nofinishi , Nqoko Ladies , Composer Not Specified , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/319103 , vital:60144 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD147-02
- Description: Traditional Xhosa beer drinking song with clapping and stamping accompaniment.
- Full Text: false
- Authors: Dyiwili, Nofinishi , Nqoko Ladies , Composer Not Specified , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Music--Religious aspects , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/319103 , vital:60144 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD147-02
- Description: Traditional Xhosa beer drinking song with clapping and stamping accompaniment.
- Full Text: false
Setting of a Sanctus
- Manzini church congregation, Suping, P. W., Dargie, Dave
- Authors: Manzini church congregation , Suping, P. W. , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Eswatini Manzini sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/420886 , vital:71790 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC157b-06
- Description: Setting of a Sanctus to a composition by P.W. Suping with instruction by Dave Dargie
- Full Text: false
- Authors: Manzini church congregation , Suping, P. W. , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Eswatini Manzini sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/420886 , vital:71790 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC157b-06
- Description: Setting of a Sanctus to a composition by P.W. Suping with instruction by Dave Dargie
- Full Text: false
Lefoko la Modimo
- Music workshop participants, Motlasedi, Joseph C., Moeng, Joyce, Group Composition, Dargie, Dave
- Authors: Music workshop participants , Motlasedi, Joseph C. , Moeng, Joyce , Group Composition , Dargie, Dave
- Date: 1978
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Klerksdorp sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/378409 , vital:67223 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC075b-05
- Description: Tswana hymn recital wherein the participants discover the instrumental melody using drums and rattles, according to the natural rhythm of the spoken words, gradually progressing into the sung hymn.
- Full Text: false
- Authors: Music workshop participants , Motlasedi, Joseph C. , Moeng, Joyce , Group Composition , Dargie, Dave
- Date: 1978
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Klerksdorp sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/378409 , vital:67223 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC075b-05
- Description: Tswana hymn recital wherein the participants discover the instrumental melody using drums and rattles, according to the natural rhythm of the spoken words, gradually progressing into the sung hymn.
- Full Text: false
Ichinenjane lapa mkomponi (How do you get on in the compound)
- Elias Silaule and group of 7 Shangaan men, Hugh Tracey
- Authors: Elias Silaule and group of 7 Shangaan men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153091 , vital:39392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-03
- Description: The song is about working on the mine. A certain man with a bald head figures largely and one of the episodes in the song is about how the singers saw this bald head shinning like glass. So one of them hit it to seeif it would break, but it bled instead. This skilled form of unison singing must demand considerable rehearsal to get it perfect. It is usually gay, rhythmic and cleverly syncopated eben breaking into speech for dramatic effect as in this example. Kwaya topical song.
- Full Text: false
- Authors: Elias Silaule and group of 7 Shangaan men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153091 , vital:39392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-03
- Description: The song is about working on the mine. A certain man with a bald head figures largely and one of the episodes in the song is about how the singers saw this bald head shinning like glass. So one of them hit it to seeif it would break, but it bled instead. This skilled form of unison singing must demand considerable rehearsal to get it perfect. It is usually gay, rhythmic and cleverly syncopated eben breaking into speech for dramatic effect as in this example. Kwaya topical song.
- Full Text: false
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