Bana twai musalemba
- Kayoka Ladislas and group of Luba men, Hugh Tracey
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182553 , vital:43840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-10
- Description: This tuning is called by the Luba the Bilonda mode and differs from the other two commonly used. Tuning:- 536, 472, 448, 396, 352, 300, 268 vs. Topical song with Chisanzhi Mbira
- Full Text: false
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182553 , vital:43840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-10
- Description: This tuning is called by the Luba the Bilonda mode and differs from the other two commonly used. Tuning:- 536, 472, 448, 396, 352, 300, 268 vs. Topical song with Chisanzhi Mbira
- Full Text: false
Kalamba wa badya
- Kayoka Ladislas and group of Luba men, Hugh Tracey
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182544 , vital:43839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-09
- Description: All Mbira played by the Luba are called 'Chisanzhi' but a Chisanzhi was bass notes on the left instead of central is called Bilonda ba Bukabala. Tuning:- 488, 440, 364, 320, 284, 268, 244 vs. Topical song with Chisanzhi Mbira
- Full Text: false
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182544 , vital:43839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-09
- Description: All Mbira played by the Luba are called 'Chisanzhi' but a Chisanzhi was bass notes on the left instead of central is called Bilonda ba Bukabala. Tuning:- 488, 440, 364, 320, 284, 268, 244 vs. Topical song with Chisanzhi Mbira
- Full Text: false
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