Correspondence between Acting Trading Manager of Kruger National Park and Hugh Tracey, Director of International Library of African Music complimenting Hugh Tracey regarding production of the proposed series of Wild Life Records and also noting Hugh Tracey's invitation to attend the National Parks Board meeting on 1 December 1961
- Authors: Kruger National Park
- Subjects: Music of Africa series , Kruger National Park (South Africa) , National Parks Board of South Africa , Tracey, Hugh , International Library of African Music , Wild Life series
- Language: English
- Type: Letter , Text
- Identifier: vital:20154 , MOA-G002-03 , http://hdl.handle.net/10962/d1014254
- Description: Correspondence dated 21 November 1961 between Acting Trading Manager of Kruger National Park and Hugh Tracey, Director of International Library of African Music complimenting Hugh Tracey regarding production of the proposed series of Wild Life Records and also noting Hugh Tracey's invitation to attend the National Parks Board meeting on 1 December 1961 , This resource is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za
- Full Text: false
- Authors: Kruger National Park
- Subjects: Music of Africa series , Kruger National Park (South Africa) , National Parks Board of South Africa , Tracey, Hugh , International Library of African Music , Wild Life series
- Language: English
- Type: Letter , Text
- Identifier: vital:20154 , MOA-G002-03 , http://hdl.handle.net/10962/d1014254
- Description: Correspondence dated 21 November 1961 between Acting Trading Manager of Kruger National Park and Hugh Tracey, Director of International Library of African Music complimenting Hugh Tracey regarding production of the proposed series of Wild Life Records and also noting Hugh Tracey's invitation to attend the National Parks Board meeting on 1 December 1961 , This resource is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za
- Full Text: false
The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: The best recordings of 1953 - Osborn Awards
- Authors: Tracey, Hugh
- Subjects: Osborn Awards , Dr. Tom Osborn Memorial Foundation , French West Africa , Dance , Xylophone , Malinke , Kankan , French Guinea , Chopi Timbila , Musique de Fete , Baoule , Matriachy , Atiegoakro , Flute , Flute Tunes , Nigeria , Drum , Hour glass drum , Kokoro , Congo , Ekonda , Iboko , Singing , Yo-yo-yele yo-yo-le , Friction stick , Likembe , Hand piano , Guitar , Violin , Double bass , Mwana aboyi mama , Lingala , Moslem , Swahili , Khartoum , Violins , Lutes , Flutes , Drums , Love song , The meetong of the Niles , Uganda , Kenya , Dar es Salaam , Northern Rhodesia , Zambia , Ndebele , Zither , Uthando Kwabanye , Lobola , Bride-price , Tonga , Mikonkobelo , Sticks , Drinking song , Muka Nakayongo , Musical bow , Gourd resonator , Mupanza , Nalowa , South Africa , Sotho , Basutoland , Lesotho , Sculpture , International Library of African Music , Anthropology , Giriyama Dance
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15068 , http://hdl.handle.net/10962/d1008496 , Reel numbers: BC045, BC046, BC047, BC048
- Description: 13th programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , Broadcast script and original reel recording have different dates, hence the two different dates provided in the date field , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Osborn Awards , Dr. Tom Osborn Memorial Foundation , French West Africa , Dance , Xylophone , Malinke , Kankan , French Guinea , Chopi Timbila , Musique de Fete , Baoule , Matriachy , Atiegoakro , Flute , Flute Tunes , Nigeria , Drum , Hour glass drum , Kokoro , Congo , Ekonda , Iboko , Singing , Yo-yo-yele yo-yo-le , Friction stick , Likembe , Hand piano , Guitar , Violin , Double bass , Mwana aboyi mama , Lingala , Moslem , Swahili , Khartoum , Violins , Lutes , Flutes , Drums , Love song , The meetong of the Niles , Uganda , Kenya , Dar es Salaam , Northern Rhodesia , Zambia , Ndebele , Zither , Uthando Kwabanye , Lobola , Bride-price , Tonga , Mikonkobelo , Sticks , Drinking song , Muka Nakayongo , Musical bow , Gourd resonator , Mupanza , Nalowa , South Africa , Sotho , Basutoland , Lesotho , Sculpture , International Library of African Music , Anthropology , Giriyama Dance
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15068 , http://hdl.handle.net/10962/d1008496 , Reel numbers: BC045, BC046, BC047, BC048
- Description: 13th programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , Broadcast script and original reel recording have different dates, hence the two different dates provided in the date field , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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