Kwabwalala Ngonga yaye yaye
- Lulua Freres and group of Lulua men and women, Hugh Tracey
- Authors: Lulua Freres and group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136930 , vital:37469 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-02
- Description: The scale of these two instruments is not clear from these examples. It would appear to be heptatonic in one case and hexatonic or even pentatonic in the order. The fact that an adequate number on intervals exist in the lower octave and are not complete in either, argues an ablity to think heptatonically. The scale was as follows;- 404, 344, 308, 296, 252, 236, 202, 180, 160, 118, 101, 90. Bitanda kakunda dance with two Chizanshi box mbira, 2 basket rattles, whistle and hand clapping.
- Full Text: false
- Authors: Lulua Freres and group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136930 , vital:37469 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-02
- Description: The scale of these two instruments is not clear from these examples. It would appear to be heptatonic in one case and hexatonic or even pentatonic in the order. The fact that an adequate number on intervals exist in the lower octave and are not complete in either, argues an ablity to think heptatonically. The scale was as follows;- 404, 344, 308, 296, 252, 236, 202, 180, 160, 118, 101, 90. Bitanda kakunda dance with two Chizanshi box mbira, 2 basket rattles, whistle and hand clapping.
- Full Text: false
Moyo wena Luluwe
- Lulua Freres and group of Lulua men and women, Hugh Tracey
- Authors: Lulua Freres and group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136921 , vital:37468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-01
- Description: The scale of these two instruments is not clear from these examples. It would appear to be heptatonic in one case and hexatonic or even pentatonic in the order. The fact that an adequate number on intervals exist in the lower octave and are not complete in either, argues an ablity to think heptatonically. The scale was as follows;- 404, 344, 308, 296, 252, 236, 202, 180, 160, 118, 101, 90. Bitanda kakunda dance with two Chizanshi box mbira, 2 basket rattles, whistle and hand clapping.
- Full Text: false
- Authors: Lulua Freres and group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136921 , vital:37468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-01
- Description: The scale of these two instruments is not clear from these examples. It would appear to be heptatonic in one case and hexatonic or even pentatonic in the order. The fact that an adequate number on intervals exist in the lower octave and are not complete in either, argues an ablity to think heptatonically. The scale was as follows;- 404, 344, 308, 296, 252, 236, 202, 180, 160, 118, 101, 90. Bitanda kakunda dance with two Chizanshi box mbira, 2 basket rattles, whistle and hand clapping.
- Full Text: false
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