Showing items 21 - 40 of 60

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Ndirathire

- Ndenderu, Kariuki, Kikuyu boys, Composer not specified, Tracey, Hugh

Ndirathire

- Ndenderu, Kariuki, Kikuyu boys, Composer not specified, Tracey, Hugh

Ndumo

- Wangari wa Gibson, Kikuyu girls, composer not specified, Tracey, Hugh

Ndumo

- Wangari wa Gibson, Kikuyu girls, Composer not specified, Tracey, Hugh

Nyumba ya mwari witu

- Ndenderu, Kariuki, Kikuyu boys, Composer not specified, Tracey, Hugh

Wainaga

- Ndenderu, Kainuki, Kikuyu boys, Composer not specified, Tracey, Hugh

Chesinen

- Elijah Rerimori, Suk boys, composer not specified, Tracey, Hugh

Dongo Mothi

- Johnnie Murithe Wambu and Kibunga Waita, Hugh Tracey

  • Authors: Johnnie Murithe Wambu and Kibunga Waita , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Embu f-ke
  • Language: Kikuyu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175630 , vital:42601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-17
  • Description: The 'struck iron' was an old starter ring from the fly wheel of a car. It is necessary to have a circular or 'S' shaped piece of metal for convnient playing of the double beat. The performer called it 'Kengere' or 'Beru' bell. The sweepers in Nairobi, they say, always come from Embu. Kibunga Waita, the iron player, was no exception. Eleswhere in Africa certain tribes tend to adopt one occupation exclusively. After hearing a few Kikuyu songs to the accompaniment of the iron and accordion, the listener who is not case hardened to the pulse may experience a singing in the ears for several hours afterwards. Listening to this kind of Kikuyu song is more a feat of endurance than an aesthetic pleasure. Mamboko dance song with accordian and struck iron (-12.161-).
  • Full Text: false

J iri ciande

- Kang'ethe Nduati with kikuyu boys, Hugh Tracey

J iri ciande

- Kang' ethe Nduati, Kikuyu boys, Folk, Tracey, Hugh

Kamerech jepto

- Elijah Rerimori, Nandi boys, composer not specified, Tracey, Hugh

Kariaara

- Shinda Kamwana, Hugh Tracey

  • Authors: Shinda Kamwana , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiamuthambi f-ke
  • Language: Kikuyu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175590 , vital:42597 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-14
  • Description: The button accordian has recently (1952) made its appearance in this area and largely on account of its ease of playing and the great amount of sound emitted, it has become very popular as an accompanying instrument. Most players are content to use only the simplest chords and as few notes as possible regardless of the melody of the song which the instrument accompanies rhythmically. For the recording the man with his piece of iron and box had to be placed a considerable distance from the microphone. Mamboko dance with accordian and struck iron (-12.16-).
  • Full Text: false

Kariala

- Johnnie Murithe Wambu and Kibunga Waita, Hugh Tracey

  • Authors: Johnnie Murithe Wambu and Kibunga Waita , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Embu f-ke
  • Language: Kikuyu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175616 , vital:42599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-16
  • Description: The singer was a cycle repairer by trade, claimed to belong to the Njeudura age grade (his own age at the time being about 22 years in 1952). He, like other Kikuyu who buy these expensive accordians uses it as a noise maker rather than a melodic or harmonic accompaniment. As with the guitar players they rarely change key. This performance was remarkable for the understanding between the singer and his accompanist on the 'iron'. The song was deafening to observers nearby, but apparently enthralling to the performers. Kikuyu musicians appear to be able to tolerate an intensity of sound far beyond the normal, in fact bordering on the threshold of pain in the ears. For the recording the man with his piece of iron and box had to be placed a considerable distance from the microphone. Mamboko dance with accordian and struck iron (-12.16-).
  • Full Text: false

Kiriiri

- Wangari wa Gibson, Kikuyu Girls, Composer not specified, Tracey, Hugh

Kiriri

- Wangari wa Gibson with kikuyu girls, Hugh Tracey

Kolasi

- Chinda Kamwana, Hugh Tracey

Koras (Chorus)

- Johnnie Murithe Wambu and Kibunga Waita, Hugh Tracey

  • Authors: Johnnie Murithe Wambu and Kibunga Waita , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Embu f-ke
  • Language: Kikuyu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175641 , vital:42602 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-18
  • Description: The 'struck iron' was an old starter ring from the fly wheel of a car. It is necessary to have a circular or 'S' shaped piece of metal for convnient playing of the double beat. The performer called it 'Kengere' or 'Beru' bell. The sweepers in Nairobi, they say, always come from Embu. Kibunga Waita, the iron player, was no exception. Eleswhere in Africa certain tribes tend to adopt one occupation exclusively. After hearing a few Kikuyu songs to the accompaniment of the iron and accordion, the listener who is not case hardened to the pulse may experience a singing in the ears for several hours afterwards. Listening to this kind of Kikuyu song is more a feat of endurance than an aesthetic pleasure. Mamboko dance song with accordian and struck iron (-12.161-).
  • Full Text: false

Machi = March

- Johnnie Murithe Wambu and Kibunga Waita, Hugh Tracey

  • Authors: Johnnie Murithe Wambu and Kibunga Waita , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Embu f-ke
  • Language: Kikuyu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175607 , vital:42598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-15
  • Description: The singer was a cycle repairer by trade, claimed to belong to the Njeudura age grade (his own age at the time being about 22 years in 1952). He, like other Kikuyu who buy these expensive accordians uses it as a noise maker rather than a melodic or harmonic accompaniment. As with the guitar players they rarely change key. This performance was remarkable for the understanding between the singer and his accompanist on the 'iron'. For the recording the man with his piece of iron and box had to be placed a considerable distance from the microphone. Mamboko dance with accordian and struck iron (-12.16-).
  • Full Text: false

Mucungwa

- Tabitha Wairimu, Kikuyu Girls, Composer not specified, Tracey, Hugh

Mucungwa

- Tabitha Wairimu, Kikuyu girls, composer not specified, Tracey, Hugh

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